Posts tagged serialism
Issue No. 12: How To Combine Traditional Seventh Chords Into Twelve-Tone Structures

In the previous issue of The Theisen Journal, I outlined how we could combine traditional triads in ways that would complete twelve-tone aggregates. In this issue, I will explore merging two or more of the same traditional seventh chord type - fully-diminished, half-diminished, minor-minor, major-minor (dominant), and major-major seventh chords - into total chromatic structures.

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Issue No. 11: How To Combine Triads Into Twelve-Tone Structures

I am fascinated with how we may combine triad types (major, minor, diminished, and augmented) with non-overlapping pitch class content into total chromatic collections for aggregate harmonies or twelve-tone rows. In this issue of The Theisen Journal, I will be outlining ways we can combine triad types that exhaust the equal-tempered twelve-note aggregate.

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